✭ [PDF] ✪ Girls to the Front: The True Story of the Riot Grrrl Revolution By Sara Marcus ✺ – Dailytradenews.co.uk

Girls to the Front: The True Story of the Riot Grrrl Revolution files Girls to the Front: The True Story of the Riot Grrrl Revolution, read online Girls to the Front: The True Story of the Riot Grrrl Revolution, free Girls to the Front: The True Story of the Riot Grrrl Revolution, free Girls to the Front: The True Story of the Riot Grrrl Revolution, Girls to the Front: The True Story of the Riot Grrrl Revolution d32e38cf0 Girls To The Front Is The Epic, Definitive History Of Riot Grrrl, The Radical Feminist Uprising That Exploded Into The Public Eye In The S And Included Incendiary Punk Bands Bikini Kill, Bratmobile, Heavens To Betsy, And Huggy Bear A Dynamic Chronicle Not Just A Movement But An Era, This Is The Story Of A Group Of Pissed Off Girls With No Patience For Sexism And No Intention Of Keeping Quiet

10 thoughts on “Girls to the Front: The True Story of the Riot Grrrl Revolution

  1. says:

    REVOLUTION GIRL STYLENOOOOWWWW So began the primal scream of a frustrated girl, an angry band, a feminist movement Girls to the Front is about the Riot Grrrl movement of the early 90s, and when you speak of Riot Grrrl, you speak of Kathleen Hanna and her band Bikini Kill Hanna released her rage against the sexism that surrounded her through music, discovering a sort of cadre of like minded girls in Olympia, WA, some of whom were already entrenched in grassroots feminist punk ideology Together they formed a united sisterhood that sought an end to sexist behavior and actions be it catcalls or rape through violence if necessary They were sick of boys and men keeping them down, holding them back, and they were ready to fight for equality At its pinnacle of success, Riot Grrrl was a glorious camaraderie of young women gathering together to express themselves, their fears, their longings, to pour out their darkest nightmares thrust upon them by horrifying encounters Some had suffered worse than others, but nearly all rejoiced in having a safe place to gather and discuss their stories, whatever backgrounds may have driven them to Riot Grrrl At its lowest point, Riot Grrrl was a misunderstood and misguided, amoebic, antagonistic entity flailing against the mass media that infiltrated and eventually corrupted it, just as much as it flailed against itself, with grrrls fighting grrrls over petty squabbles or the very fabric of their own ideology While in college, a friend and I attempted to go to a Bikini Kill concert in Boston, but it was cancelled Rumor had it that a fight had broken out at the previous night s show and, due to some guy getting his ass kicked by a bunch of girls, the tour was on hold From an outsider boy s perspective, that was Riot Grrrl As an outsider on the fringe of this underground movement going to shows and putting out my own zines I wanted to know what was going on But this was a girls club and I wasn t invited.Luckily, along came Sara Marcus book, perhaps 20 years too late for me, but I was glad nonetheless to finally lift the veil and discover what I d missed, to learn what had really gone on Marcus wields her words with a deft hand, a mighty stroke and blunt force Girls to the Front is not perfect It gets an extra star from me for pure nostalgia s sake , but you are in good hands with this writer on this topic Most of society won t get this Those girls that were part of this movement won t need this But for those of us who collected riot grrrl band 7 inches or caught their record store shows with a couple dozen other folks, but got no closer, this book is for us.

  2. says:

    According to the library print out left inside this book, in 2013 someone else checked this book out along with Excluded Making Feminist and Queer Movements More Inclusive, The Riot Grrrl Collection, and How to Tell If Your Cat Is Plotting to Kill You.I want to know that person.I was a smidge too young when Riot Grrrl was a thing that was happening In fact, by the time actually I heard of it, it was essentially over and one of the letter r s had been dropped from the second word I always seemed to see it called Riot Grrl Maybe that was laziness from people later, or maybe I m just mis remembering In any case, what I do know is I missed out on the original movement, and that s always made me a little sad Like they might have been my people, but I would never actually know because our paths didn t cross at the right time Like a Missed Connection listing.Interestingly enough, though, I didn t miss out entirely because what this movement did in the early 90s in different parts of the country were also sort of happening in the Midwest in the late 90s at the women s college I attended Except by then, or in that situation, it didn t entirely work for me either Maybe I m just too fickle for any movement there s always something that rubs me the wrong way or doesn t sit well with me.Reading this book was simultaneously eye opening, inspiring, frustrating, and irritating I was on board with so much the author said about the movement until she started repeating herself and putting so much stock on Olympia, Washington that even I started rolling my eyes The author is a Riot Grrrl fan grrrl, and that s cool and all, but from what I also understand, she didn t even get all of her facts straight I have no basis for that myself, but have to keep an open mind that some of the key players discounted parts of what Marcus wrote.The biggest problem with the movement is that it lacked any real direction or leadership It s funny coming from me, because normally I d be all Anarchy and cheering on the fact that there was no true organization But for what these young women wanted to accomplish, there needed to be of a direction, a focus, a combined effort Everyone had an agenda that or less matched up, but when it didn t match up, it really didn t match up Like that time now music critic Jessica Hopper was banished from the movement entirely because she spoke to the media in the middle of a media blackout The author really still doesn t like Jessica Hopper, guys Every time there was a mention of her, the paragraph practically drips with derision It s awkward and uncomfortable.Which leads us to one of the biggest complaints about the movement I ve heard over the years, which is as a group they were pretty exclusive These young women found each other, and I love that they did They claimed to have open doors to outsiders, but outsiders never really felt accepted, and then Jessica Hopper happened and ate someone s tofu, and holy shit No joke, there was a story about how she ate someone s tofu and she laughed about it when confronted Weird, right In addition to that, the movement historically was especially white Women of color have commented that they didn t feel this movement was open to investigating their issues and their concerns which is just like pretty much every other feminist movement in history Can we not get our shit together, ladies C mon It s really not that complicated.Sigh.So I understand the complaints, and I understand why the movement sort of fizzled out after a while But I can appreciate the sentiment What they did was start the conversation They opened the door Think what you want of Kathleen Hanna, but she helped open the door for other women to rock out and she stood up for women in the audience at shows, calling on them to stand at the front of the stage to avoid intimidation by others in the crowd Having almost gotten in a fight myself at a Sleater Kinney show a few months ago with another woman, even , I can appreciate that since I too hate assholes at live shows Girls were finally starting to have a voice at places that girls didn t normally have voices That was exciting.What s unfortunate is that no one seems to be continuing the conversation that the Riot Grrrls started Because they refused to talk to the media except for that pesky Jessica Hopper , the rest of us never really had a very good idea as to what they were all about There were a lot of stereotypes being thrown around, a lot of misinformation Would things have been different if they had not opted for the media blackout It s hard to say In a time before YouTube and most of the Interwebz and before cell phones, the way to reach out to others was to write in Magic Marker on their hands, make Shrinky Dink necklaces, and hope someone would ask them about it That was a crazy time, kids Magic Marker Can you believe it We had things called zines Filled with feelings, these mythical zines No PhotoShop, just scissors and a fucking glue stick.I m all for a good revolution People like to color the entire movement as being a bunch of angry girls , and there is some truth to that Except angry girls shouldn t be a derogatory statement There was a lot of reason to be an angry girl in the early 90s, just as there are still a lot of reasons today If you re not angry, then you re not paying attention.All the music talk was fantastic and made my 90s girl heart beat with excitement Reading those sections is when I wish I was there the most, and not in junior high trying to be one of the popular kids, thinking that would be the answer to all of my problems Had I known about Riot Grrrls at that time, even if I hadn t joined them, at least it would have given me another perspective, reason to believe that there was to life than just being popular.Anyway, if anyone wants to continue the conversation that was started in the early 90s, I ll be over here in the corner with my glue stick.

  3. says:

    Tobi Vail has discussed this book here and here Johanna Fateman has discussed it here.Allison Wolfe discussed it here I found all of their reviews and insights to be a great supplement to the actual book, since Sara Marcus worked on this book for five years, researched the hell out of it, but didn t cover everything or get it all right You could say that no one could cover everything or get it all right, and ok, that s true I have really been soul searching over the last two weeks, trying to find just the right words to describe the three thousand ways I feel about this book Riot grrl is all about personal history, and mine greatly affected my reading of the book, so.First of all, I m was born too late in the wrong location, but I was immersed in a post riot grrl world in my developing years I wrote zines, booked shows, did some activism, traveled to see bands, went to feminist conferences with shitty food and sleeping bags for my formative east coast college years I was witness to a sort of post riot grrl backlash I mean, it was kind of what comes next Feminist queercore bands were regularly dialogged with or protested for feminist inclusion or racist missteps, and Le Tigre was a glaring trespasser numerous times The author of Girls to the Front has a reverence and appreciation for Kathleen Hanna that, frankly, seems cloying and naive from my perspective KH is like She ra in this book, seriously, and that s an unfair portrayal Second of all, I live in Olympia, WA I moved here for the greatest love of my life, and I have found it to be an entirely charming place to raise a family, be a gay mom, grow a garden, see some art happen It s slow paced and there are a lot of hippies, but there are plenty of radical people and happenings to keep things awesome Tobi Vail says that she feels that GTTF represents Olympia in an unfairly dismissive way That was a really diplomatic way of addressing this issue About 2 3 of the way through the book, I was ready to chuck it across the room if Sara Marcus mentioned the blackberry picking kids of Olympia one time This is a difficult, largely undocumented time in feminist history considering how many zines they wrote , and it is evident that the author put a lot of work into this book I don t envy her for this task I enjoyed reading it, and seeing how events unfolded at various points in different locations It was sometimes hard for me to keep track of the timeline wait, this was happening in NYC while this was happening in DC while this was happening in Oly, etc I think this is a good jumping off point for someone interested in feminist history riot grrl, but I hope that it s not the be all end all narrative of this time I hope some girls read this book go write a zine wait, zines are dead, too, right so, go write a blog or start a band or just start a fight with something unfair That infectious, rowdy, disobedient anger was the most powerful thing about riot grrl, and it would be great to see another generation find ways to articulate their rage Grown up riot grrls have done a considerable job of creating their own feminist canon Some of them are still doing radical and inspiration work out in the world Maybe I am delusional too, but maybe older grrls now ladies still have a chance at revolution too, if we find room for resistance to be a possibility not only for the youngest Also, reading this was a reminder of so many ways that the lived experiences of women are better and worse than they were in the 1990s Some things are better, but other things are worse We have women in government, I think, but one of them is Sarah Palin so Then everyone starts talking about whether riot grrl is dead, and I m pretty sure as long as there is a girl somewhere out there who identifies as a riot grrl, it can t be dead It s like a unicorn.

  4. says:

    I felt profoundly disappointed by this I feel almost as if I had another expectation of what Riot Grrrl was, and this book sort of killed it.Sadly, I felt like there was a structural problem to this book The author was either too in love with the subject, or she wasn t removed enough from the activities There was a tonal problem to what was written here.I also felt that the book had way too much of a focus on Kathleen Hanna, but again, I think that s because I expected her to be chronicling something different than what she actually did.I did appreciate how she gave a chronology of some of the history and did show the problems and conflict in the movement.There were things about this book that made me highly nostalgic I was a hard core reader of Sassy magazine and I have fond memories of listening to music, going to shows, writing penpals, and reading zines that I got in the mail Some of the things that were affected Riot Grrrl also had an impact on my own feminism and political activist ideas It was fun to retread that time, and I sort of miss the zeal energy of it But as the author said, that s also part of being a young woman, and that anger does change dissipate after a while Almost wish that someone else of my generation peer group would read this and give me their opinions.

  5. says:

    i was nervous but excited to read this book i bought it six months ago kept putting it off because i wanted to be able to really relish it, i kept thinking i should read my library books first i always have a new library book but i finally read this last week it was awesome.first of all, i m not going to pretend that this is perfect book all historical accounts are subjective, even when they were written by people who were actually there or extremely passionate knowledgeable about their subject sara marcus became interested in riot grrrl in 1993 or so, as a teenager so she was as involved with the scene as i waswhich is to say, peripherally in a lot of ways i was a young teenager living in small town ohio in the early 90s i wrote zines, contributed to zines, traded zines, had tons of pen pals, traded mix tapes, was introduced to introduced other people to riot grrrl bands through said mix tapes, etc but i never made it to a riot grrrl convention i was too young my parents wouldn t let me go they thought riot grrrls were man haters lesbians , i never saw a lot of those classic riot grrrl bands play live, i was never in a local riot grrrl group my best friends as a teenager were weirdo punk feminists, but they weren t interested in riot grrrl, even when i tried to get them pumped for it , i never even read some of the now canonized riot grrrl zines, like i m so fucking beautiful or jigsaw or wrecking ball so reading this book was really interesting, because i actually learned a lot about this movement that i definitely considered myself a part of at the time, that was pretty awesome.sara opens the book with her own personal history of learning about riot grrrl trying to become involved she then goes on to profile some halfways well known riot grrrls who influenced the movement in a lot of ways, using a chronological framework she starts with the formation of bikini kill writes about the different places that kathleen hanna tobi vail were coming from in terms of their feminist analysis i found that really interesting, especially now that i am in a feminist book club populated by all kinds of people coming to feminism from so many different perspectives, with so many different ideas about what feminism is sara writes about kathleen s history doing domestic violence outreach, tobi s background in understanding gender as a social construct feminism as one prong of a revolutionary movement encompassing all kinds of different liberation struggles tobi has written a few posts about this book including critiques, errors, clarifications on her blog, including taking sara to task for suggesting that women in domestic violence shelters don t care if gender is a social construct i have to say, i agree with tobi about that to say that reinforces the idea that domestic violence only happens among the undereducated the way sara wrote about tobi kathleen s differences also seemed to suggest that tobi was all about book learnin while kathleen was in the trenches, doing real work i think that s a total judment call that says about sara s own value system than anything else she writes about the formation of bratmobile, allison wolfe wrote a piece in response, questioning why sara felt the need to constantly refer to her as strange or dorky every single chance she got i have to say, i was way into both bikini kill bratmobile back in the day i probably liked them equally i never thought of allison as especially strange or dorky i have no idea where sara is getting thatbut it informs most of her writing about bratmobile, which is kind of unfortunate she seems to see bratmobile as of a novelty or joke band, especially in comparison to bikini kill she writes at one point that bratmobile was always just something fun to do on school vacations, which allison refutes in her piece who knows where sara got that idea, or to the point, why she felt the need to write it down in a history tobi wrote something about how the problem with histories like this is that things get written down people perceive of them as the truth, even when they re not completely or even a little bit accurate so i definitely tried to keep my critical thinking lenses on while i read this book, reminding myself that this is one version of the riot grrrl story i think it is the best version i have yet heard there are only a smattering of other books about riot grrrl, most of them frame it as a musical genre or a fashion statement sara takes great pains to contextualize the rise of riot grrrl activities within the geopolitical moment even though i was obviously alive in 1992, i never realized how close roe vs wade came to being overturned that year what a real present danger it posed to american women she writes about the clarence thomas hearings, the prevalence of sexual assault sexual harassment, the crystallization of the beauty myth, all these things going on that informed riot grrrl s political militancy in response to critiques that riot grrrl was TOO militant, which scared away timid girls that may have otherwise enjoyed the consciousness raising dynamics at meetings or the zine culture, she argues that militancy was less a tool of elitism within riot grrrl than it was the definition of riot grrrl i would agree with that, i do feel it s a piece that has largely been written out of the history of riot grrrl is part of the reason i have a hard time with modern day riot grrrl nostalgia it s not just about listening to bands dancing in the front at shows having a goofy haircut riot grrrls were angry, justifiably so i think in the last twenty years, the anger element within feminism has been played down a lot in order to make feminism seem appealing to larger masses of people, i think that s unfortunate, because it robs feminist projects of some of their concrete politics sometimes.anyway, moving on sara doesn t just write about bands she also writes about the formation of riot grrrl groups in washington DC, olympia, vancouver canada , humboldt county, minneapolis, elsewhere she writes rather a lot about the riot grrrl conventions that happened in washington DC omaha, nebraska she writes about media coverage of riot grrrl at the time, the differences of opinion about how riot grrrls should handle requests from the media she writes about the different decisions that different riot grrrls made the fallout that they experienced both positive negative she writes about the formation riot grrrl press the first zine distro i d ever heard of back when i was like 15 or whatever , the prevalence of bisexuality among riot grrrls how it was alienating to queer girls who were otherwise interested in riot grrrl , the dearth of race class diversity within the movement within punk as a whole , questions about whether riot grrrl was a punk spin off or a political movement, the role of mail order culturetons of stuff one of my favorite elements of the book was its dishiness she writes extensively about jessica hopper s involvement in riot grrrl minneapolis, how she agreed to give an interview to newsweek even after a lot of other riot grrrls had decided not to talk to the media any but she didn t just give an interview she also gave the reporter photos, letters, zines she d received from other girls involved with riot grrrl the reporter used these items people felt very betrayed jessica immediately disassociated herself from riot grrrl started hanging out with rock stars like courtney love instead, but the damage was done a lot of people who felt betrayed by her actions had to try to make their peace with the fact that you can t always trust someone just because they say they re on your side the stuff about jessica also illustrates the way that calls for a media black out happened in a somewhat autocratic manner, how a lot of difficult issues of elitism self promotion has to be addressed.she also touches on erika reinstein, who wrote fantastic fanzine, among other zines, is kind of infamous in certain circles for writing a zine in which she uses the racist anetbellum one drop rule as a justification for speaking on behalf of people of color everywhere positioning herself as an anti racist authorityeven though she doesn t know for sure that she has any ancestors of color, benefits from white skin privilege a lot of zinesters of color at the time went to great lengths to call her out on that, she responded by dropping out of the zine scene re emerging a few years later with a new name, writing zines on a different topic but still engaged in the act of using oppression as currency positioning herself as the most oppressed person of all time sara writes about how this transformation, from outspoken, tough high school feminist to major star of the oppression olympics, started to happen she doesn t go into the details that i did here, but she does write about other things i didn t really know anything about, these stories illustrated the problems of a lack of diversity within riot grrrl, as well as the issues that plague all political movements subcultures, in terms of in fighting, sanctimoniousness, hypocrisy, etc i, for one, appreciated the hell out of these tales from the darker side of riot grrrl ideas about riot grrrl have filtered down to the next generation of young punk feminists, who seem to have this idea that it s just all about girls going to shows together being best friends i think sara s book did a great job of illustrating the fact that riot grrrl really did aspire to be a real political movement in a lot of ways, that it was hindered by authoritarianism, real imagined hierarchies, betrayal, self aggrandizement, etc all things that we should be staying cognizant of trying to avoid still.obviously this book is just kind of the tip of the iceberg in terms of what could be written about riot grrrl, i hope that as the girls that were involved in the 90s continue to grow up, books other histories emerge.

  6. says:

    1 Girls to the Front has a lot of issues That s fine Or it could be fine I mean, in theory But Girls to the Front also has a lot of problems, and ends up being totally disappointing and weirdly tone deaf Oh God, is that even acceptable in a discussion about a music book Ugh Probably not Sorry, everyone OKAY, to be fair maybe it is less GttF has a lot of problems and I have a lot of problems with GttF 2 Whenever there s a, like, a feminism contest you know what I mean, these people are good feminists, these people are bad feminists it gets fucked up pretty quickly So I wasn t surprised about that I read feminist blogs, I am familiar with girl on girl crime of the you are holding your sisters back, you stupid slutty tool of the patriarchy variety And that stuff has been endemic in feminism since the beginning, right Victoria Woodhull, The Sealed Letter, the Sarah Grand or Mary Jeune, and on and on and that s only when we re talking about a bunch of straight cis white women with fairly similar class backgrounds When you try to encompass the experiences of women of color and women from different class backgrounds and with different sexualities not that heterosexuality isn t itself on a spectrum, buuuut then the comparatively privileged start to feel threatened and it turns into look at how un racist I am or why can t you be quiet and appreciate how hard I am working for you Like they cannot represent themselves they must be spoken for is even slightly acceptable any Especially when they are right there Anti oppression turns into a game of one up personship pretty quickly, which is why it is difficult and discouraging and why you need to approach it thoughtfully and with open ears, among other things As a chronicle of that tragedy thing that happens, I guess GttF is all right But, perhaps because Marcus wants a broad audience, she doesn t give a really thorough investigation of ideas You know, phenomenology is a vital part of feminist awakening and consciousness, but so is a good understanding of the reasons behind your experiences and I don t mean, like Timothy, my exboyfriend or something I mean the structural and abstract components To be fair, at the end, Marcus talks about how RG lacked administrators The final chapter The Cruel Revolution is particularly problematic and sort of enraging 3 Well, okay, and also I don t really listen to any of the Riot Grrrl music I mean, I have a free anniversary sampler from Kill Rock Stars, but I got it for the Thao Nguyen songs I do like the two Le Tigre songs I ve heard 1, 2 but I haven t tried to hear others So I lack the very personal connection Marcus stresses as so important to the movement In fact, she opens with her own passionate, tentative involvement and that s, sadly, the best part of the book It s the most authentic and the most sincere and the most vivid section Despite this passionate connection, the movement itself doesn t emerge as particularly vivid or, even, specific The characters which, in this kind of non fiction, you need Maximum City Bombay Lost and Found weren t established clearly enough for me, so there was very little sense of knowing who these women were, or why I should care about them, or keep track of them There are a couple of women who were just easier to keep track of because you hear their names often, but the teenage girls, who are obviously such an important part of how Marcus conceives of the RG movement don t come through very strongly, in most cases.4 There are a lot of tortured metaphors And these passages I don t know, was she trying to do In Cold Blood, but intermittently They were So Awkward I don t get second hand embarrassment that often reading books But it s not just in those weird interludes I don t know what else to call them but sprinkled throughout, particularly in the introductory descriptions You know, those three adjective descriptions that introduce people to you 5 I assume she s talking about Chris Brown when she says in the epilogue A pop star beat up his girlfriend and his career barely missed a step because of the timing 2009 But that s obviously ridiculous, I mean, have you heard any Chris Brown songs lately Anyone Anyone No Although he was in that one movie, right Rihanna s doing pretty well, though Her songs get played her new ones, I mean She shows up places and people care She sings hooks on Kanye songs She has an annoying perfume commercial I see in movie theaters Why are movie theater commercials the most annoying commercials Never mind, I know why Yet another way the state of modern advertising would disappoint Don Draper I mean, damn, Roger Sterling would be disappointed And you know how far you ve fallen when Roger s disappointed, okay You ve fallen really, really far I know this is tangential, and a stupid thing to get hung up on Yet I cannot stop myself There were plenty of stupid, tangential things I got hung up on while reading this when there are that many it has stopped being a problem with me.6 Okay, but the episode of Sound Opinions where Sara Marcus is interviewed is actually really interesting and engaging It was what made me check out the book 7 Seriously, is this a non fiction history book for young adults Not that this means I d give it a pass, but then I could at least excuse it as a misguided attempt to connect with a younger generation without many of the reference points for the period As I am between the current YA reader crop and the RG crop, I also lack a lot of first hand context and history classes stop at detente Musically, I came of age with boy bands and the Spice Girls 8 And I so wanted this to be a fun, cool, enlightening book Instead it like I don t even know Somehow it hit me as too earnest hallmark of the 90s and disingenuous Yeah, you figure that one out I am throwing this review up not because I think negative reviews are particularly useful to potential readers, but because I think other people might finish the book and have some problems with it too, and they might need another dissenting voice Judging by the reviews already on here, GttF resonated with a bunch of people, which is totally fine and good and I m glad that s what books are supposed to do I m sorry that didn t happen with me If it didn t happen with you either, step right up.

  7. says:

    1 I decided to read this book because I am very interested in Riot Grrrl culture and the feminist revolution in the 1990 s It interested me because it was written by a woman who was a part of the revolution and gave first hand recounts of what happened, as well as interviewed some of the girls who were at the front lines of the revolution.2 This book completes the Books that teach you about a different time in history category because it is about events that happened in the 1980s and 90s I like reading books in this category because it teaches you about real life things that happened and historical events.3 The ideas in this book widened my knowledge and made me think about a lot of issues in the world I had previously ignored This book explores and documents the Riot Grrrl wave of radical feminism in the 1990s and it s affects on todays society An idea I found most interesting was girls taking power and fighting against male oppression and patriachy Marcus writes a concise account of the struggles girls such as Kathleen Hanna and Allison Wolfe, both prominent figures in the revolution, and how they attempted to overthrow patriachy and end male dominated culture Both women started out small, but with big ideas Both were the lead singers of revolutionary all girl bands, and showed that girls can do everything boys can do and we don t deserve to be oppressed by men for and be told to get back in the kitchen or go make a sandwich Women don t have to fit into the stereotyped housewife or full time mum roles Women can do anything and everything, from fighting wars to managing large corporations Women must unite against the undeserved oppression shown to us by men.4 A quote I found particularily important was We are tired of begging for our rights from men in power We are going to take power I find this quote very important because it represents the anger women feel towards patriachy and the force that is needed to end it I think that women DO need to take power for themselves because many women are being harrassed and abused on a daily basis by men, which is terrible, and needs to stop NOW.5 I learned from this book that women s revolutions and feminism is an important part of our history and present Although there have been some laws put in place to benefit women since the Riot Grrrl revolution in the 90s, there is still a lot of work to be done to ensure equality among women and men.

  8. says:

    Reading Girls to the Front made me realize how little I really know about riot grrrl In my defense, during the years portrayed in this book, I was attending a suburban Catholic university with a conservative administration and a mostly conservative student body The fact that I read Gloria Steinem and listened to Tori Amos made me radical than about 97 percent of the people there So really, most of what I know about riot grrrl I learned from Sassy magazine.For this reason, I found this book fascinating from a purely informational standpoint It was great to learn about the key players mostly musicians and their scenes, about the regular non musician girls who picked up the gauntlet and ran with it, about the prevailing philosophies and important events of the movement The eventual infighting that occurred didn t bother me you re always going to have this in any group of strong willed people, and honestly, it was good gossipy fun.More importantly, I was inspired by the creativity of these women and by their determination, when they didn t fit into the prevailing culture, to critique the culture instead of just buying into the idea that there was something wrong with themselves Like Susan Brownmiller s In Our Time, this book reminded me that you don t need a huge number of people in order to have an impact on society, just a small group of people with a compelling vision Riot grrrl may not have lasted long, but I think it was a pivotal step in the ever evolving and necessary project of feminism, and this book does it justice.

  9. says:

    You would think that the author of any true story would not cherry pick the truth, but that is exactly what Sara Marcus did As a contributor to her research and analysis for the book, and as a character in the story, I was surprised later despite rounds of corrections to see the extent to which she went on to simply ignore my first person accounts and instead, filter them through what she apparently believed was true or was easier for her to write Painful, sometimes traumatic, personal history was rewritten, even downplayed Sara Marcus s handling of my contributions to the book were unethical, and, by her own admission with regard to one scene in the book sloppy reporting However, as a former Riot Grrrl, I otherwise found the book fascinating Marcus is not a bad writer, but should stick to fiction.

  10. says:

    Every Girl is a Riot Grrrl Was the message of this book that I could relate to I graduated from high school in 1999 in a very small town in upstate New York My cousin Jeff, who was 3 years older than me, introduced me to hardcore punk rock and skating music, and I gobbled it up I loved the energy of the mosh pit, the political rants, plus, I could throw elbows and slam dance with the best of them However, after one particularly rough show, I ended up with some broken toes and that s when I invested in a pair of steel toed Doc Martins and I never had a broken toe again My only question was where were the punk princesses Then one of my old baby sitters sent me a mixed tape entitled Girl Bands That Rock with a sticky note on it that said I think you ll really like this one and featured songs by Bratmobile , Calamity Jane , L7 , The Eyeliners , Go Betty Go , The Distillers and of course Bikini Kill and felt for the first time like oh wow, that s so cool that there are girls out there already doing this, and oh yeah maybe I can do this too I was inspired by the DIY style and started writing personal zines and even had a garage band My friends and I were making our own Grrrl style revolutions and we didn t even realize that it had a name Not until I moved out of there and went to college near Pittsburgh was the first time I heard the term Riot Grrrl and thought oh so that s what it s called, ok, whatever I ve been doing it for years These are my personal memories that were conjured from reading this book I like feminism, I like the DIY style, I love the music, and I m glad that Sara Marcus wrote this book, but her googlie eyed idolization of Kathleen Hanna got old really fast Still worth reading though.

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